Category Archive for: media

komentaryo

A reckoning: #Rappler and #MediaCrisis (Part 1)

I’ve generally stopped talking about Rappler. I stand with it in terms of the Duterte government’s blatant use of its power to silence and disallow its reporters from covering Malacañang, and certainly I will stand with the news site when it comes to the incompetent Mocha Uson proclaiming that the site is nothing more than social media, because I will side with a private entity over a government official wasting taxpayers’ money on idiocy.

But none of that means I’ve ceased to be critical of Rappler. And I will remain critical especially at a time when it has fashioned itself internationally as the bastion of independent journalism in the country, when it is seen by the international community as the only local media company that’s worthy of mention in the time of Duterte.

Replying to someone who thought exactly that on Twitter, I said Rappler has its own sins and sacred cows; another Twitter user asked for at least three instances to prove that opinion. In the interest of discourse: this is but one of a series of articles that will remind all of us of Rappler’s arrogance and failures, something that was used quite ably against it — for good or bad — by the Duterte social media campaign.

Let’s start with the Zamboanga Siege of 2013. (more…)

kultura

The refusal to give up today

This was published on July 27 2012, after the premier of the documentary “Give Up Tomorrow” at the 2012 Cinemalaya in CCP. Remembered it today, and reposting it, because for whatever reason, there is a film on the Chiong Sisters coming out this week. — KSS.

On the evening of July 16 1997, Paco Larrañaga was having drinks with his classmates from culinary school after a full day of exams. He went home at 2AM and was back in school at 8AM on July 17, for more exams. The teacher who proctors the tests swears that Paco was present in that classroom, his classmates are witness to his attendance – in school and for drinks the night before, official school records prove his presence, too. Paco was in Manila, and nowhere else, on July 16 and July 17 1997.

I insist on beginning this story this way, not because “Give Up Tomorrow” has successfully swayed me into believing that Paco’s innocent. This documentary’s power in fact is that it wasn’t out to sway anyone into believing anything, as it could and will only bring you to the point of disbelief, that slowly moves towards the territory of dismay, and then into that space that you know to be anger. Interwoven with a whole lot of shame, and plenty of sadness, here is a documentary that can only be heart-wrenching not because it might bring you to tears, but because it will tug at both emotion and rationality, heart and common sense. (more…)

komentaryo

Damage control, the Tulfos, and returning the P60M pesos

Will it matter at all that the Tulfos are returning the P60 million pesos that it received from the Department of Tourism’s (DOT’s) advertising fund placed with PTV4?

The answer is no. Because while that’s P60M in taxpayers’ money that changed hands from DOT to PTV4 to the Tulfos’ production outfit Bitag Media, and of course we want it returned, there is little here that tells us it won’t happen again. Neither is there any indication that more of it isn’t happening. See, there are just too many other questions about this triumvirate of two government agencies and one private company, bound together by the Tulfo name. There are too many questions that demand answers.  (more…)

komentaryo

Wanda Teo, a P60-million ad placement, and the stench of corruption (Part 3)

When news broke that Wanda Teo’s Department of Tourism had placed advertisements with her own brothers’ TV show which is aired on PTV4, it was no surprise. After all, there is an existing complaint against Teo from the concerned employees of the DoT, about alleged unethical, corrupt, questionable practices that has been languishing in Malacañang since June 2017, which also sheds light on the blind item (which turned out to be about her, as she herself responded to it) about a government official asking for free shoes and theater tickets from a hotel in Manila.

Teo has also NOT been forthright or upfront about the expenses of government for the Miss Universe pageant in early 2017, which she says happened without any amount coming from public funds, even as it is obvious that money was spent by government to hold the pageant here. A request via the Freedom of Information portal for a breakdown of expenses has yet to be responded to by the DoT; it’s been there for 100 days.

Which is to say that it’s no surprise that the Commission on Audit’s report on PTV4 has surfaced this obviously highly irregular (to put it kindly), and absolutely questionable and unethical (again, kindly), transfer of cash between Teo’s office and her brothers’ production outfit, which produces her other brother’s TV show.  (more…)

komentaryo

State of blogging, microblogging, media #crisis

At the tail-end of 2017, Bebang Siy invited me to judge some 18 blog entries that talk about fake news for the Saranggola Blog Awards. While many of the entries were taking from the same sources and tended to be redundant, the more interesting ones were those that tried to bring into their writing the more personal effect of being bombarded with lies and falsity and exaggeration that take the form of the news. The two other judges, even when we didn’t sit down to deliberate, actually had chosen the same winners I did.

It was certainly an experience that gave me hope: both for blogging and for writing. Because it reminded me of a time when blogging wasn’t about keeping a Facebook Page and microblogging, that is, writing statuses that detail your activities of the day, i.e., Asec Mocha, and most other Duterte Diehard Supporter pages. Neither was it about keeping a blog site that’s nothing more than reactionary, living off what’s happening on social media, and leeching off what’s already trending, i.e., Jover Laurio’s Pinoy Ako Blog.   (more…)