social media – Page 7 – Katrina Stuart Santiago

Only the naive would be surprised by the narrative turn that the community pantries took. We knew it was only a matter of time. After all, we are under a Duterte government that has made it official policy to red-tag anything that has so much as a a raised fist, a placard, a slogan. We are under an NTF-ELCAC and a propaganda machinery that has made its living out of vilifying the Left, activism, and critics the past year or so.

When the appearance of Liza Soberano on a panel by Gabriela is enough to warrant a red-tag, you know the level of absurdity is insane.

Which is why it’s a surprise that the actors in this particular situation seemed so unprepared. And therein lies the real naiveté. Because recent history teaches us to be prepared. Since last year, relief efforts have been vilified by this government. Many experienced being stopped at checkpoints, and at the height of the first lockdown, many were kept from doing anything, including helping get much-needed food to the hungry. In May 2020, the DILG itself announced that all relief efforts needed to get LGU accreditation; at some point last year, there was a memorandum that was spread in our inboxes requiring a PNP permit. We of course remember Teacher Lita and her group in Marikina arrested for continuing with their soup kitchen operations, as we do how a group delivering relief goods to Bulacan were detained. There was also a soup kitchen in Cubao, housing the homeless and hungry, that was shut down for not having permits.

Now layer any effort that highlights government negligence, incompetence, violence with virality, and you level-up that risk. Long before this pandemic, virality was already a key factor in getting Duterte all riled up, and his propaganda flexing its well-funded muscle. Think everything from Silent No More, to Pinoy Ako Blog; think ‘Di Mo Ba Naririnig, to every hashtag that has trended on this side of the political fence.

And when virality has a willing participant, a talking head for media to interview over and over, someone to fashion into “hero,” someone they can use for click-bait content, then this is a win-win: you get mileage and media gets its shares and likes. This makes it “lucrative” for both sides, which is part of why virality is something we have been taught to aspire for, whether you’re a tiktok content creator, an advocacy, or a Duterte supporter.

Now layer this landscape of anti-criticism and predisposition towards virality, with the existence of NTF-ELCAC and a Duterte propaganda machinery, and the kind of success it has had in killing activists, violating rights, discrediting activism, and creating a climate of fear, and you’d be silly not to be afraid. Or careful. (more…)

Of the many things we need to admit about the past four and half years under Duterte, it’s that he’s been killing it.

This government has of course also been killing people.

But that he has gotten away with it is because his propaganda machinery’s been killing it, too. How else to explain the fact that despite thousands of dead bodies, the militarization of the government, billions in unaccounted public funds, the stench of corruption growing stronger by the day, and an epic failure of a Covid-19 response, this government has stayed afloat?

We give credit where it is due, and that has to be the propaganda machinery that’s just been well-strategized, hard-at-work, uncompromising, and unstoppable.

And yes, we’re still talking about what we like to dismiss to be nothing more than troll discourse, brought on by a few high-profile propagandists and spread by troll farms, all paid for with probably taxpayers’ money. But this is not all that it’s about anymore. The 2019 elections proved how this propaganda is not something that can be dismissed, but also, neither can it be easily beaten.

In fact, going into the campaign for 2022, it’s become even more clear how this machinery is multilayered and complex, and unless we agree about what it is and how it works, then we will be delivering 2022 to Duterte-Marcos-GMA on a silver platter.

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There are many things we might have in common, living where we do, under the leadership that we have, in a 2020 riddled by crises. Here where it wasn’t (isn’t) just the pandemic, as it was a Taal Volcano eruption early in January 2020, government’s refusal to ban Chinese mainlanders from entering the Philippines despite the threat of Covid-19 spread in February, the longest lockdown/quarantines in the world from March 2020 to the present, strong typhoons and massive flooding in the last two months of the year.

It is easy to think this is all a matter of being Filipino, but it seems important to highlight how this is also a matter of social class. Of course one is mindful about using the term “middle class,” tenuous and unstable as that category is, especially given the pandemic. To my mind though, the category suffices to define this particular privilege that is important to acknowledge, as it is important to address. Because we are often told to check our privilege, which also inevitably silences us: the majority after all, have it worse.

But why invalidate this particular experience of the middle class? Why be silenced by the notion of privilege, when while we are not the majority who are poor, neither are we at the opposite end of this deepening wealth gap? We are not the 5% who are oligarchs and old rich, for whom half-a-million beach trips and vacations is part of this new normal. Neither are we influencers and celebrities who are selling a new normal of spending thousands on Covid-19 tests just to go on a beach trip, or to party with friends. (more…)

It’s a question we ask more and more now, I think more sincerely and honestly than we ever have, of friends and family, even of Facebook contacts and acquaintances. It’s never seemed more important to ask people: how are you? As opposed to “what’s up?” or “what are you doing these days?”

Because we all know what’s up, and regardless of what we’re doing, we all know that on a very basic level, we’re all just trying to survive. The pandemic takes its toll on the best of us, and on this fifth month since a lockdown was first declared, I think the mental toll is one that’s almost paralyzing.

Almost. Because privilege teaches us that some are luckier than others—we are luckier than the majority who did not only lose jobs during the two-month lockdown, but also had their communities taken over by police power, were disenfranchised from government assistance packages, silenced by fear, and disregarded by policy. Yes, we are all victimized by the Duterte government’s lack of an efficient, sufficient, and scientific Covid-19 public health response, as we all are by its Cabinet filled with incompetent and unkind officials, but as with many (all) things, social class difference puts things in perspective.

No, this is not a treatise on gratefulness, as much as it is a promise of solidarity. (more…)

Hate and lies don’t stop in a time of a pandemic—we are after all under a government that lives off this kind of propaganda. But when it comes from regular people who deserve respect for fighting for the poor and oppressed, the farmers and the peasants and the workers, you can only be taken aback, to say the least. That they would even take the time to fashion you as enemy, throw shade in your direction, especially on social media comment threads where discrediting a person is quick and easy, here and now, well, there is a time of reckoning for that.

This is not that time, but it is the time for some clarification. So let me take precious energy to talk about the accusation that I “defended a rapist” last year. A controversial, sensationalist statement to make, a juicy piece of news to hear about the person who wrote a review of Ang Huling El Bimbo in 2018, and questioned its handling of the rape of the lead character Joy; the same person who likes to see herself as a feminist, who writes about being woman in this country, who builds upon the kawomenan of many others. But of course via people like artist and peasant advocate Donna Miranda, what will surface is nothing at all about what I’ve written, or the play in question. Instead it will be this statement from her: “Gusto ko man basahin ang review na yan nahihirapan ako bilang nagtanggol ng rapist yung manunulat a year after.”

What a way to take down a person: throw a one-liner, attack her, try to ruin her credibility. Who cares if it’s true?

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