dear Manila Contemporary,

1. let me begin with this:

gallery doors on January 26 2011.

2. how is it that this is NOT the We Are Not Aimless exhibit? nope, none of those paintings are part of it, not that gallery set-up, nothing. how does this even make sense?

3. i was at your gallery for close to an hour, even used the comfort room while there, and three of your gallery people saw me. NONE of them told me i was looking at the wrong exhibit, or the right exhibit with the wrong title, or the right title with the wrong works. in the galleries more respectful of guests, basic but non-obvious information is offered. none was offered me here. i took that to mean things were obvious.

4. had the gallery people told me i was looking at a stockroom exhibit, I would’ve promptly walked out o there: what a waste of time to look at works on gallery walls that have no point for being other than being unsold.

5. had your people said go on to the second floor, that’s where the REAL exhibit is, i would’ve stayed; had they said it was outside in the heat, i would’ve walked through it still. i spend too much time looking at art, taking curatorship and works seriously. i do so for no other reason than to value what’s here: people spent time money energy / blood sweat tears for any exhibit to be set-up. i respect that by spending time with the work.

6. i’ve reviewed you before eh? been through your gallery often enough, even the guard by the gates of Whitespace knows me. i’ve been doing the art beat for the past two years. never NEVER has this happened to me. nor has it happened that no one would point out to the girl taking 10 million pictures that this exhibit ain’t what she thinks. goodness gracious what a waste of time.

and so i promise that i will stop wasting time at your gallery. i shall boycott you all this year. maybe that doesn’t matter to you. but then again, that only means you don’t know what matters.

***

I’d like to apologize to the curator of the real We Are Not Aimless exhibit. That review wasn’t written out of stupidity; if you read it at all, it was an example of how seriously I take art / curatorship / exhibits. I take responsibility for it, and I’m sorry for whatever stress it caused you.

I’d also like to apologize to GMANewsOnline which put up the story and had to receive the flack first. Lesson learned. It won’t ever happen again.

 

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