komentaryo

Survey Says: Fear

If there’s anything none of us should be arguing about at this point, it’s the climate of fear as fueled and nurtured by Duterte.

Pre-pandemic, we saw how Duterte and his people’s manipulation of the law could keep Senator Leila de Lima in jail on trumped-up charges. We’ve seen this government unseat Chief Justice Sereno because Duterte considered her as “enemy.” We’ve witnessed Duterte get away with massive violations on our rights, where random statements like, say, “arrest istambays” will mean the warrantless arrests of citizens the following day. Where Presidential fury and finger-pointing is enough to get people removed from their positions, business owners divested from their own ventures, critics or perceived enemies arrested or killed. Let’s begin counting the dead bodies from organized Left organizations, and the drug war dead.

The pandemic was just what Duterte needed to further clamp down on our rights, lock us down in our homes, and ensure our silence. We were afraid of the virus, of course and expectedly, but this government was not satisfied with just our fear of getting sick in a time and place with no reliable healthcare system. They wanted to bury that last nail into the coffin of possible resistance, and what better way to do it than by passing the Terror Law and throwing the ABS-CBN shutdown our way?

After all, if a cultural monolith like ABS-CBN could be shut down by this government based solely on Duterte’s pettiness, what can it NOT do? In the course of the Congressional inquiry on the franchise, we also realized that much of it had to do with the content of the network’s shows—and they weren’t just talking about news coverage (!!!), but about the portrayal of politicos in soap operas and teleseryes.

And what is the Terror Law and the contingent soundbites from military officials about regulating social media and the President about cracking down on dissent which government equates with terrorism? What else could the push of the MTRCB to regulate Netflix, and of the FDCP to have all film, advertising, and digital content pass through its office, be about? What could all of these be but the multifarious ways in which this government tries to restrict what we say and what we create, online and beyond? And if they don’t push through with these policies, then at the very least it has made us quake in our boots a little more and has distracted us from the incompetence and corruption that permeates government.

If we, in our cloistered, privileged, middle-class to wealthy spaces, can feel this fear; if we acknowledge that a major stressor the past seven months has been both the virus and the incompetent and violent governance, complete with a President who randomly drops shoot-them-dead orders, and military officials deciding on our lives with not a smidgen of compassion. If we can be afraid, what more the majority in the vulnerable communities? (more…)

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Kumusta? #TerrorLaw #Covid19 #Freedom #Protest

It’s a question we ask more and more now, I think more sincerely and honestly than we ever have, of friends and family, even of Facebook contacts and acquaintances. It’s never seemed more important to ask people: how are you? As opposed to “what’s up?” or “what are you doing these days?”

Because we all know what’s up, and regardless of what we’re doing, we all know that on a very basic level, we’re all just trying to survive. The pandemic takes its toll on the best of us, and on this fifth month since a lockdown was first declared, I think the mental toll is one that’s almost paralyzing.

Almost. Because privilege teaches us that some are luckier than others—we are luckier than the majority who did not only lose jobs during the two-month lockdown, but also had their communities taken over by police power, were disenfranchised from government assistance packages, silenced by fear, and disregarded by policy. Yes, we are all victimized by the Duterte government’s lack of an efficient, sufficient, and scientific Covid-19 public health response, as we all are by its Cabinet filled with incompetent and unkind officials, but as with many (all) things, social class difference puts things in perspective.

No, this is not a treatise on gratefulness, as much as it is a promise of solidarity. (more…)

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Meralco’s heartlessness #OldNormal

Many things surfaced in the midst of this Covid-19 crisis. There’s the violence of inequality and the blindness of privilege. There’s the lack of vision and planning for a massive public health emergency that any government should’ve known was coming early in the year. There’s government’s incompetence and violence, the President in-over-his-head (yet again!), his men grasping at straws and deciding that going deeper into debt is the answer to our woes. There are Duterte’s cronies and allies, getting away with keeping their businesses intact and operational, probably even earning from this crisis, and now all set on getting a tax cut while thousands of small businesses will go under, and thousands of Filipinos go hungry.

There is also the fact that big business will abuse the people. It’s not a matter of when, but a matter of how. And the past four years this Duterte government has stood by and watched these abuses happen; during the lockdown it did nothing about construction workers left by developers to fend for themselves at construction sites, grocery workers walking inhumane distances to and from work, medical workers with no way to get home from hospitals.

With government turning a blind eye to these abuses, it’s no surprise that a business like Meralco will take this already difficult time and think: how do we make money in this time of crisis, when most everyone is taking a hit? (more…)

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Sir Edel

It is uncomfortable, to say the least, that I have been made part of this list of people doing tributes for Sir Edel today. I cannot claim to have known him personally, nor to have had long conversations with him about his work, or mine, or about life in general. But I said yes because his death has left a gaping hole that even I am surprised by. I said yes because soon after Sir Edel died, my college friend Raia messaged me and said she’d wait for this tribute, that I must write it for both of us. I said yes because in the midst of this crisis, that we are unfortunate enough to experience with the most incompetent and violent of governments, we are also in the throes of a propaganda war like no other, even as we can only battle with our own demons and emotional turmoil, and for some reason Sir Edel’s is one of many voices that resonate for me in times like this one.

But unlike many tributes, this thing I’m fashioning will not have fond memories, or funny anecdotes. Neither will it wax romantic about Sir Edel’s value to our intellectual landscape, or his influence on the younger generation of activists and writers. I am in no position to do that.

What I can do instead, is tell a story. (more…)

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Defending a rapist? Sobriety and hunos-dili, please!

Hate and lies don’t stop in a time of a pandemic—we are after all under a government that lives off this kind of propaganda. But when it comes from regular people who deserve respect for fighting for the poor and oppressed, the farmers and the peasants and the workers, you can only be taken aback, to say the least. That they would even take the time to fashion you as enemy, throw shade in your direction, especially on social media comment threads where discrediting a person is quick and easy, here and now, well, there is a time of reckoning for that.

This is not that time, but it is the time for some clarification. So let me take precious energy to talk about the accusation that I “defended a rapist” last year. A controversial, sensationalist statement to make, a juicy piece of news to hear about the person who wrote a review of Ang Huling El Bimbo in 2018, and questioned its handling of the rape of the lead character Joy; the same person who likes to see herself as a feminist, who writes about being woman in this country, who builds upon the kawomenan of many others. But of course via people like artist and peasant advocate Donna Miranda, what will surface is nothing at all about what I’ve written, or the play in question. Instead it will be this statement from her: “Gusto ko man basahin ang review na yan nahihirapan ako bilang nagtanggol ng rapist yung manunulat a year after.”

What a way to take down a person: throw a one-liner, attack her, try to ruin her credibility. Who cares if it’s true?

(more…)