komentaryo

Notes on Another Country: Inday Sara and opposition suppositions

While political pundits in mainstream media claim that Sara Duterte’s resignation from the Marcos Cabinet was expected, it is important to speak of its timing. After all, on and for social media and digital platforms, everything is content, and major announcements like this one is fuel for mass drops and mileage. Over in the other country that is the Marcos-Duterte Tiktok algorithm, this resignation was not only expected, they were ready for it.

Since two days ago, the VP has taken over the algorithm like it’s nobody’s business, unseating the dominance of the Roque-MrSupranational memes, the West Philippine Sea content, and the usual Marcos-activities-based content. Considering that we had just come from Independence Day celebrations and the President continues to travel the country to distribute all sorts of assistance himself, there is usually enough content that sustains him. But Sara’s army has been pretty solid, churning out content that drowns out everybody else. Unsurprisingly, this includes a bunch of SMNI and SMNI-related accounts, solid Duterte accounts, and even accounts with low mileage, but which have been mass dropping support-Sara videos.

And when I say they were “ready” for it, I do also mean that the content has been making connections the mainstream cannot even begin to talk about. For example, highlighting the fact that it was also on June 19 two years ago when Sara had taken her oath as Vice President, which allows them to spin her resignation as an act that brings her back to the position she had won—the one that proves the love and support of “the people”—and not the position(s) that were given to her by the President turned non-ally. There also seems to be massive content that quickly drew the line between her and the President, not just ending the Uniteam illusion, but also championing the Sara side of it, the one that was green, the one that was about the eagle.

As with the Marcos legacy campaign of 2022, there is much here that harks back to the Duterte father’s 2016 campaign, with content declaring in so many words that change is finally coming, because Inday Sara is now free from her cabinet positions, now on a clean break from the administration. This means a major change for “the opposition”—a label that the Duterte propagandists claim is theirs. Tied to content that came from the last Maisug rally in Pampanga, where the older Duterte declared that they were not wanting to take down the Marcos government; and where the younger Duterte mayor insisted that all they were asking for was that the President “listen to the majority”—referring of course to themselves; the declaration of a stronger “opposition” now that the Vice President is free to be opposition, has become a very seamless narrative.

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komentaryo

Notes on Another Country: Unimagined communities

Been meaning to get this series off the ground, a way to keep track, make sense, maybe just take note of a Tiktok feed that is not mine, but which has been nurtured since November 2021.

When I say this feed is not mine, it is to say that its basis is not my personal taste nor my political leaning. Instead it is to say that this feed has been deliberately kept and consumed, which to an extent is to encourage and enable it, regardless of whether I agree with the content it cradles or not. My agreement is extraneous to this Tiktok feed; all it knows is my behaviour on the platform, which tells the internal logic of the app that this is the content that I want to see, that this is what interests me, that this is what I want more of.

This is not to say that I know completely how this algorithm works (I don’t think anyone does at this point—it is made in China after all and is devoid of any kind of transparency), but what I know for sure is this: this Tiktok algorithm is one that I have in common with Marcos-Duterte supporters—manufactured and otherwise. They are the ones creating content for it, spreading propaganda through it, and engaging in debates and discussions on it.

The other thing I know for sure: that another nation altogether unfolds here, on this algorithm that is not mine, that I would otherwise be removed from, that I would otherwise not see. What it carries are communities unimaginable to us, who live on other algorithms altogether, across the different platforms we inhabit. (more…)

kultura

Literary cliques, patronage politics, and the publishing mafia: The Philippine Book Festival

When you’re a writer anywhere, the kind that was not served publishing contracts or writing gigs on a silver platter, one of the first things you learn about is power. And not so much that you don’t have any of it—that seems normal enough for when you’re young and new in any industry–as it is how power (and opportunity, cultural capital, funding, etc. etc.) is in the hands of a very small group of people. In the Philippine writing and publishing sector, this surfaces simply as an exclusive clique, a cabal, a mafia (take your pick) that is called the literary establishment. This is your big publishing houses, putting out work by mainstream writers, who are also the leaders/consultants on the payroll of your national and local government agencies, teaching in your schools and creating syllabi and required readings, and founders/members of your writing organizations. It all ties together into a neat little package called power, and as a by-product of that, money. At the very least, undeniable cultural capital.

But as with politicos denying they have power and wealth and want more of it, so does the literary establishment deny that this cliquishness and exclusivity is something they nurture—sharing the few seats on that table with those outside their circle is not an option, and generosity is an illusion. As with the most corrupt politicos insisting that the work they do is about “nation” and “constituency”, so do the worst of the literary establishment claim that this is about “writing” and “literature” and “book development”. And as with politicos always denying their unethical and unjust practices, so does the literary establishment pretend the cabal doesn’t exist.

Sometimes though, it is surfaced for all to see. Ladies and gentlemen, the Philippine Book Festival. (more…)

komentaryo

InSecurity Bank #bankingcrises

Across the holidays, and until now, we saw a rise in even more stories of OTPs being requested out of nowhere, and scams happening through and across our banking system. It seems important to finally talk about my own story from early 2023, one that I feel is important to serve a public that is generally at the losing end of problems like this one which, by the way, is not necessarily the subscriber’s fault. Note too that I had the privilege to have legal assistance, and my lawyer had quickly sent word to the bank to contest their decision not give me back the money I lost.

That bank being Security Bank.

For a bit of context, I hold accounts across BDO, BPI, Metrobank, and Security Bank. This is not a measure of how much cash there is (haha), as it is a measure of how much interbank transfers cost (a whooping P25 pesos, at least), which is huge if you get, say, P900 peso cheques for your writing.

Now let me start by saying that across all these four banks, for the longest time, it was Security Bank that was my favorite. I thought it was the most secure bank across all the others I had. They call you to tell you when your ATM’s been cut because of questionable activity, and then tell you when the new card’s ready for pick-up. I had family who believed in Security Bank’s, uh, security, and I even got insurance with them because of it. It was for that reason that I also had most of my savings there, and have had it there for years. It’s also important to point out that when friends started to experience unauthorized transactions from other banks pre-pandemic, none of it was happening with Security Bank. So it was easy to believe that, well, it was secure.

Until it wasn’t. Early in 2023, when other banks already had multiple cases of OTPs being asked for by mobile numbers not connected with the banks themselves, I received a phone call that talked about my Security Bank account. The person knew all my details with the bank, including the last four digits of my account, the last time I did an online transaction, the last time I did a face-to-face bank transaction, even who I talked to in the bank to get my insurance. There was no reason to think this person was not from Security Bank. But here was the clincher: when the person asked for an OTP, it was not sent to my mobile number through an unknown or regular mobile number — which would have made me suspicious. Instead the OTP was sent through the number of Security Bank. The same one that sends me confirmation of my online transactions, the same number that sends OTPs. (more…)

radikalchick.lit

Disquiet #2024

We go through the motions, I think, as we shift from one year to another. There is little to celebrate outside of the personal, and when we are self-reflexive about our privilege, the middle class guilt can only kick in. We refrain from posting food photos. We keep from the usual displays of celebration. We stay distant from the predisposition to overshare on social media.

There are a multitude of reasons, of course, to tell the world the year was good for you. And gratefulness is a good thing. For some of us though, it almost feels excessive to put it on display. This is not to question what others are doing, as it is to lean into why it is that this shift from 2023 to 2024 has demanded differently of the self. It isn’t why has it been hard to celebrate, but how it’s been difficult to put that on display. It isn’t about why there is a refusal to flex, as it is about how this denial of the reflex to share speaks to a specific kind of processing of the present.

That this sensing of the act of biting one’s tongue, almost as if (and ironically) in resistance, is happening on the first month of a new year is expected — what better time to find these words than in preparation for how we re-live the coming year?

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