RadikalChika kicked-off with a review of ICON the concert, with Rico Blanco, Gloc-9, and Yeng Constantino. :) Photos here and with the column by Martin San Diego as provided by Thea G. Pollisco.
RadikalChika kicked-off with a review of ICON the concert, with Rico Blanco, Gloc-9, and Yeng Constantino. :) Photos here and with the column by Martin San Diego as provided by Thea G. Pollisco.
the days have been long, though filled with too many things happening, and certainly even more happening in the shadows, beyond public scrutiny: this is the Philippines after all.
so first a list, because there is also quite a lot of work to do, but also there is so much to talk about, and i feel like the three people who read this blog (haha!) might be wondering where i am, why so silent. well here i am. (more…)
Kuya Joseph. From Brgy. Burayan San Jose. Interviewed in early December 2013, less than a month after Typhoon Yolanda. He drove us around when we volunteered with Kusog Tacloban. His experience in his own words, just re-organized as this happened in various conversations. Will translate at some point, though will gladly let others do it. Because I still think there is no writing people’s stories that will do justice to their voices. Making it pretty is not just an injustice, it also effectively silences. (more…)
there is a general sadness to this space, so historically vibrant, and such a measure of how we do not care about this history. the bells are missing from the church’s bell tower, and the church itself is closed and under renovation. in May its doors were open, masses were being celebrated, a choir practiced in between. in the plaza in front of the Church there is a monument by Napoleon Abueva showing how 500 Filipino revolutionaries launched a surprise ambush on Company C of the 9th U.S. Infantry Regiment on September 28 1901. (more…)
the show was missing an audience when we arrived. a huge tent had been set-up at the barangay hall’s basketball court, the monobloc chairs for a hundred arrived, but there was no audience. in Guiuan where our first shows were, our venues were filled to the rafters, many women arriving with their children who wouldn’t understand the show, and would be crushed in the crowd. it took one show to realize that unbeknownst to us, these women were required to watch the show as part of 4Ps — Pantawid Pamilyang Pilipino Program. it meant registering to watch the show would be equal to a cash dole-out of P500 pesos per child — which explained too why they had brought their children. they were proof of how many children each woman had. (more…)