kultura

Storytelling and Dani Girl

I tend to veer away from stories that are out to clutch your heart, and then measure success by how much you bawl while watching.

Elsewhere in the world texts like these are criticized for displaying sickness and passing it off as artistic work, or using a particular claim to an ailment and then celebrating the work as “new” or innovative.

And so I could but be skeptical about Dani Girl, as I came in to see it on its last weekend, knowing full well what it was going to be about.

But Dani Girl surprised. Not that it didn’t tug at heartstrings and had me crying like a mother who knows of sick daughters. And yes it was about this staging and these actors, but also and ultimately it was about the material itself. (more…)

kultura

No Junk In This Trunk*

Because there is plenty here that works: from the funky music to the fantastic lyrics, dramatic situations and imagery so vivid, emotions so raw it can only be yours.

I knew it when I heard “Kapit Mahal” via Billy B.’s now-defunct UR radio show, but I know it even more now: that was no fluke. Top Junk released its indie debut last year, but I count it as one of my early 2011 finds, literally: I bought it at Route 196 as I bobbed my head to The Purplechickens’ Here’s Plan B gig of reminiscence. Yes, it was like being fresh out of college that night, but that’s stuff for another story. (more…)

komentaryo

thank you!

This blog was a finalist for the Lasallian Scholarum Awards this year, and I couldn’t be happier. We didn’t win the award but the greatness of being finalist is enough when one considers that the standard practice in this country is that you practically have to nominate your blog for awards, and then campaign to win anything. I sent my best girls Keisha Uy and Alessi Vilches to the awarding as I had my September 1 tied to a friend’s journey, but I’m still over the moon about this. Thank you thank you Lasallian Scholarum Awards! Thank you for acknowledging my work as an independent writer and critic, which is bound to the freedoms that radikalchick.com affords me. Here’s hoping this encourages more people to write about nation without fear. Cheers!scholarum

kultura

CinemalayaX: the year of self-indulgent film and creative conceit

I had started watching CinemalayaX with Carlitos Siguion Reyna’s Hari Ng Tondo, Joseph Alterejos’s Kasal, and Roderick Cabrido’s Children’s Show. It was two good movies out of three, and I thought it was portents of things to come for the rest of the week’s movie viewing frenzy.

After watching all 15 full length films, I realize I had it good that first day. It was downhill from there.

Click here to read the rest of it over at Vera Files.

 

kultura

The Fluid re-write

It seems the only way to start this review is to acknowledge – and praise – the Technical Theater Program Batch 111 students of Benilde for having dared and successfully staged and produced 2014’s Fluid. Were the technical aspects of the production the only point, then this was quite a successful theatrical debut for this batch of students.

It would also, for the most part, be a successful re-write for contemporary times, something that playwright Floy Quintos talks about in his notes for the production. One is reminded by this re-write that many things about art making and production in this country continue to be true 10 years hence. Many things might need re-writing, but the system itself just evolves into viciousness, or devolves into the superficiality that capital demands.  (more…)