2nd of three installments.
Pol Medina leaves his mainstream pugad. And finds another mainstream pugad really, that thought it wonderful that you could choose-your-own-punchline on comic strips. But that’s getting ahead of the story. First was a Pugad Baboy strip that was submitted by Medina in April of this year, which was rejected by the Philippine Daily Inquirer. It would then be published in June to public social media outcry. (more…)
For three years I put together year-enders on arts and culture and found that there is plenty to be thankful for. There is after all a great amount of productivity, the kind that is independent and persistent. There is also a lot of private money that fuels the arts and culture scene —which is of course to point out how government only comes in when it gets embroiled in questions of censorship and freedom of expression.
The latter is a cause we hold dear, even more so given the Internet and social media, and how we have so engaged with each other and the issues of the day in blogs, Facebook and Twitter. It seems important to do now a year ender that is about precisely this balance that we are forced to strike—or fail to strike—between absolute free speech that the Internet affords us, and the issue of responsibility. Too often in the past year our world was defined by what was happening online; sometimes we got carried away, it seemed like we were changing the world. But were we? (more…)
down to my last seven highs and lows of Pinoy theater in 2013 (counting Maxie The Musical to have been the sixth in the last installment, Lorenzo the fifth, yes, i might be cheating, haha). i realized that instead of many wonderful productions (there was a lack of it for PETA and Repertory Philippines, unlike in 2012), there were performances this year that were just wonderful, some that saved productions from utter ruin. (more…)
for most of the year i was writing theater reviews for GMA News Online, which in October came to an end after a good three-year run. the ending was horrid, where my writing was edited to the point of changing what i was saying about Tanghalang Pilipino’s Der Kaufmann and Red Turnip Theater’s Closer – my last two reviews with GMA. these reviews were published after i said that i was resigning as contributor, given other disagreements with the editor of the Lifestyle Section.
The people on the plane—mostly men—were straining their necks to look out the windows as we descended toward the Tacloban airport. The site was grim: nothing but endless brown land, with nary a structure, and few trees.
Landing is no different. While the tarmac is clear, to one side is a sea wall now in shambles, in front of which stands an airport facility standing only on its posts. There is no welcome to be had here, and the people in charge are tired. Stepping outside the airport grounds means only dust and heat, and an endless view of leafless trees. (more…)