Tag Archives: Bea Alonzo

Of course I Miss You Like Crazy had everything going for it. We still remember Popoy and Basha of One More Chance, even know some lines from the movie, and even now speak of UST’s soccer field in relation to it. The three-month rule of breakups has now become law, seeing as Popoy invoked it when he thought Basha had found another guy (and kailangan talaga si Derek Ramsey and mapagsususpetsahang bagong boyfriend). And their barkada, really, was what made that movie. They were macho and bakla, serious and funny, judgmental and liberal, all at the same time. All these were only allowed by the movie’s well-written script that was real to us all, middle class and unapologetic.

Suffice it to say that One More Chance was enough reason to step out and watch I Miss You Like Crazy. But in the first conversation that Mia and Alex have in the movie, something is so obviously off right away. I look at L who’s watching the movie with me, and we realize, it’s Mia’s laughter. It was uncomfortable, obviously put-on, and undoubtedly lost in translation. It wasn’t trying to be ironic, i.e., hiding the sadness through laughter; nor did it sound like real laughter.  Parang bad acting lang? (more…)

why say sorry?

or the dynamic of women’s choices.

the romance as a genre in philippine movies has, since the turn of the millennium, been common and surprising in turn. the surprises i personally trace back to regine velasquez’s foray into her julia-roberts-type of romantic films, where situations are perfectly created for both her limited acting skills, and for the middle class women that she portrays (and has as audience). although it can be said that much much earlier than that, judy ann santos and piolo pascual, as well that ricoyan-claudinebarretto-dietherocampo movie were the beginnings of more interesting takes on the romance (hello, boksingero si judy ann? naman). (more…)