Tag Archives: catholicism

When Pura Luka Vega was arrested and detained in late September, one of the dominant reactions was surprise: how can this happen in the Philippines? What happened to creative freedom? How could they get jailed for a case they had no idea had been filed, when they had been going from one city to the next facing persona non grata charges, in full drag, with Instagram documentation, and stories about the openness of these spaces to seeing them and their artistry?

But the curse of the Philippine present is that we are reaping the outcomes of our refusal to have the more difficult, because complex conversations about arts and culture, much of which is not simply about data and history, but about fleshing these out, tearing these apart, so that we know better the state of discourse, freedom, and creative work in the present. At the very least, we need these conversations so that we might be reminded that our freedoms — including all those enshrined in the Constitution — are never guaranteed.

Especially not when we are talking about artistic freedom. A sense of (recent) history in fact reveals how in the post-Marcos leaderships from Cory to Duterte, censorship was a constant. Sure, not in the Martial Law era kind of way, but in ways that were equally dangerous because insidious and consistent. And yes, there’s the MTRCB and its mere existence as a regulatory board; but there are also the acts of censure, the bannings, the cancellations that are borne of an ever-growing conservatism, one that is bound to the ways in which Catholicism is practiced in these shores, and in the age of online platforms, a predisposition towards simply swinging between black-and-white, right-and-wrong, acceptable-and-unacceptable for the loudest voice, the bigger mob. There is also a constant mistrust of creative work, as there is an insistence that it must serve the purpose of espousing a certain kind of morality, that is about a fixed set of rules, a list of lessons to be learned.

It is for this reason that Pura Luka Vega—their artistic practice and their performance—would never be understood. It is also why they have been victimized by these acts of censure. Because there is nothing simple about drag, and certainly nothing simplistic about the art practice of Pura Luka Vega. But censorship lives off simplicity, the black and white, and in the case of the Philippines, it lives off feelings of offense.

Which is why the better question is not: when did this start happening in this democracy? It is: how has our democracy come to this? How did we come to this point when being offended by something, disagreeing about a specific portrayal, a kind of artistic work, has to mean actions that curtail artistic freedom, from the cancellation of individuals, to campaigns to boycott their work, from online bullying to legal cases filed?

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Asec #Mocha is correct …

There ARE many, more important, things to talk about, other than her award from the UST Alumni Association Inc. I couldn’t care less about the fact that she was given it, in fact, and it must be said that it is absolutely offensive that the photos of Asec Mocha’s past life are being reposted on social media just to point out that she is undeserving of this award. Seriously: since when did this kind of shaming, as bound to an unapologetic conservatism, cloaked in Catholic righteousness, been acceptable?  (more…)

tattoed christs that rock.

Baffling is the tiny art space that is 20 Square in SLab at Silverlens Gallery (Pasong Tamo Ext., Makati City). Sometimes it’s but an extension of the rest of the works in SLab; most other times that I’ve been there, it’s a measure of artists’ creativity in smaller works, something that I imagine is about discipline and control.

And then at other times, I am surprised and want to live in 20 Square. Dex Fernandez’sm/ made me want to do exactly that. I wanted to find a chair and sit in the middle of the small room and stare at the small sculptures attached to the walls. Of course a chair for one would’ve filled that tiny space.

Images of a crowd in a small space is also what the idea of m/ creates; m/  is the symbol for that rock ‘n’ roll signal we do with our fingers (pinky and index fingers up, middle fingers kept down by thumb). It is also what you think of first when you enter that room and see what seems to be a version of a rock poster. Fernandez brings back memories of rock concerts (OPM and otherwise), and crowds, and drinking and noise. I almost wished they were playing some rock music inside the tiny room.

the rest is here!