Tag Archives: indie films

Where does one begin with a good movie – the kind that resonates a day after watching it, the kind that you gush about? Maybe with this: for the first time in my life, I had the daring to watch a movie alone. Even when this theater in particular, my gay friend had warned, was a pick-up place; even when as I entered the theater, there were only two other guys, in separate ends of the theater, and I had no choice but to be nervous. Goodness, the things I do for Pinoy indie films.

But soon enough, three different couples walk in, and so does Jackie Lou Blanco with her kids – hooray! for intelligent viewers who chose Peque Gallaga over Angels and Demons! Having seen the first two of the Sine Direk project’s movies – Fuschia and Ded Na Si Lolo! – and missing Litsonero by Lore Reyes (because they pulled it out after two fluggin’ days!), I crossed my fingers for Agaton and Mindy. Oh, please please make my heart flutter, jaded as I am about love?

Thankfully, Gallaga outdoes himself here. I had imagined Baby Love (from the 90s) on the one hand, and Pinoy Blonde (from recent years) on the other. Agaton and Mindy is neither. Because it is informed by the contemporary and the current, which is to say that it also highlights an urgency that isn’t just for the young. It in fact goes beyond the notions of puppy love, and becomes more of a love story than any of those commercial romances. (more…)

Fuschia fades

It was easy to fall for watching the movie Fuschia, directed by Joel Lamangan co-written by him and Ricky Lee. There was veteran actress Gloria Romero in the lead role, a really interesting title, and an even more interesting synopsis. More importantly, it is part of the Sine Direk project of the Director’s Guild of the Philippines, Inc. (DGPI), sold as a showcase of films created with unbridled freedom – no capitalist producers to consider.

But there’s more to good films than just a director’s freedom. In the case of Fuschia, it is about knowing when to stop. Unless of course the point is to befuddle the audience into confusion. (more…)

in defense of Ploning

Much has been said, in print and online reviews, about the narrative structure of Ploning. For some, it was a distraction, something that just made the story confusing; for others, it was there to make things more difficult or complex, given that the story seemed simple enough. Across the reviews, this narrative structure has been pinpointed as the reason for the problems with plot and characterization. (more…)