Tag Archives: Philippine literature

i have no specific expertise

but i thought it quite timely to re-post this piece on the Manila International Literary Festival (MILF) 2011, while the PILF (yes, they changed Manila to Philippine) 2012 is happening. because i hear they were laughing as they wondered whether i would go this year (no), or if GMA News Online would send me (yes, but i said no).

because you know this year they take from prostitution and objectification of women, to sell Philippine literature. what fun.

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may simple akong tugon sa usapin ng paggamit ng jargon at teorya para sa pagsusulat tungkol sa sining at kultura: sino ang audience mo?

this is not to say that i don’t think theory’s important, in fact i think there is nothing but theory, every critical piece has a theoretical backbone, a framework against which it falls. and this is not to say that i don’t believe in knowing from where we speak, being clear about our own biases, and our own limitations as we write about texts, as we write at all, period. this is not to say that we shouldn’t be reading reading reading, because writing is about knowing where what you say stands in the grand history of thought and thinking that we’d like to think exists in these shores. (more…)

since this Rogue piece on the literati and mainstream literary system went online, what has infinitely been interesting is how it has revealed the kind of thinking that we have about literature and culture, including but not limited to: (a) “Why write about this at all? What a waste of time!” (b) “bakit hindi ka na lang magsulat?” (c) writing is a solitary enterprise anyway (d) you just moved from one house to the next (e) there is no talking about literature without literary jargon (f) it’s the same everywhere, deal with it (g) you are not being attacked, your work is being engaged in (h) let’s have a conference on this! (i) you are not free. (more…)

in mid-2010, i wrote this as introductory piece for what was planned as a column on arts and culture in a publication under the editorship of exie abola. it is perfect that i remember it now in light of National Arts Month, with the National Commission on Culture and the Arts (NCCA) celebrating it via the Philippine Arts Festival 2012. that we are more than halfway through February, and we have yet to feel this celebration at all? that this still applies almost two years since? welcome to the state of the arts and culture in this country.  (more…)

preying on the birds

i’m the last person who will look down on what people enjoy reading, nor will i insist that you must read certain books in order for you to be called “literary”. i will insist though that anyone who decides to diss any form of literature, particularly philippine lit, even more so literature in our vernaculars, has better sense than just his or her superficial notions of taste and literature, and in this case, language. (more…)