Tag Archives: TV

komentaryo

the Boy of the arts: not even a patron

ambassador. — noun. 1. a diplomatic official of the highest rank, sent by one sovereign state to another as its resident representative. (via dictionary.com)

granted that diplomacy is what Boy Abunda has plenty of and “his ability to communicate ideas” is the soundbite that’s suppose to explain why he’s been appointed as Arts Ambassador.  of course there are so many other people who do this just as well if not better: i can give you 10 names off the top of my head across culture and the academe. but most of them are not on TV, aren’t almost-sisters with Kris Aquino, and most of them will most probably be critical of government. and right there you have the REAL reasons why Boy has become Arts Ambassador.

it’s not that he’s extraordinarily skilled, or even skilled at this job at all. it’s that he’s the right friend at the right time. and you know what’s clear about PNoy: he is paying his debts. because this ability to speak that they say is Boy’s specialty? he’s a PR guy turned showbiz talkshow host, who can spin, if not wrap you around his little finger: this is every marketing person’s specialty. and this is not to look down on people who do PR; this is to be truthful about PR. it’s about selling, about making something look good, regardless of how bad it truly is. they should just put Boy in PR for the whole government: right there is where they need image boosting and fakery.

but for government to pay its debt to Boy in this way? it’s one that the arts and cultures sector of this country will pay dearly for.

owned by ABS-CBN. not just the photo really.

this is not at all to question Boy’s abilities as talk show host, or as talent manager, or as PR person. this is to point out that Boy’s Arts Ambassador appointment  is just depressing to those of us who are part of the creative sphere and know that it’s in the throes of suffering, of disregard, of neglect. this is to point out that there are countless people more deserving, more experienced, who have for years been at the forefront of and living and suffering within the arts and cultures sphere.

some life advice in a CD for someone who doesn't sing

this sphere that has suffered long enough, because government just doesn’t seem to care about it. Boy is part only of TV and no other cultural production, unless you count his CD of life advice and advertising given his endorsements. this appointment is so telling of what this government thinks about arts and culture, how they imagine that someone who hosts on TV must be the best choice. it’s like saying that anyone who travels can be a travel writer, anyone who eats food a food critic.

which i understand, this uh, horrid dismaying presumptions about what is art and culture; after all Cory’s presidency didn’t just kill the local movie industry, it also put Kris on TV. but surrounded as PNoy is with advisers and writers who make him look good, surrounded as he is with people from the arts and academe, i thought we’d at least have a bunch of better choices for Art Ambassador.

now i’m the last person who will say that popular productions aren’t culture; but i’m also the first person who will tell you that TV is but a drop in the large river of art and culture that we create. the ability to interview people is an even smaller smidgen — katiting lang ‘yan ng kakayahan ng napakaraming manggagawang kultural na kumakayod sa Pilipinas araw-araw.

kayod. Boy did not have to work for this, and hasn’t really worked for culture all this time. i don’t know why the NCCA even believes that he is an “advocate for arts and culture” when in the years that i have heard Boy on TV with the equally noisy presidential sister, they have not once struck me as supporters of the local arts other than when one of Boy’s talents are part of a movie or show or photo exhibit, other than when it’s an ABS-CBN / Lopez cultural empire product.

they will talk about a Cory exhibit, but really talk about Cory and not the art; they will mention art and photography, but only when ABS-CBN talents are its subjects; they will mention a book, but not once have I heard them talking about Philippine literature; they will give you a list of the books they love but it is rare if at all that this includes a local author; they will talk about movies and it’s always just Star Cinema films, or Regal Films depending on whether or not Kris stars in it, and then the rest of the time it’s Hollywood; they will talk about foreign designer clothes in the midst of a sea of local designers; Boy will endorse a foreign book, one that talks about God, which of course already limits the realm of arts and culture that he can even begin to wrap his head around.

and this realm, IS HUGE, just in case it isn’t being realized at all. arts and culture in this country is a diverse dynamic world of crisis and contradiction, and in the ideal world an Arts Ambassador would include all of that — all of us — in his vision.

this is not about reading Maya Angelou (who Boy always quotes, goodness gracious). this isn’t about watching Oprah all the time and copying her interviewing style. this is not about supporting one or two or three Pinoy designers for one’s clothes. this is not at all about watching Pinoy TV and film and being a fan of it. this is not about studying for a post, which he promised he’d do when he said no, not yet, to a government post.

this is about having read our Filipino writers all this time,  and having a sense of what ails the publishing industry. this is about keeping track of what’s going on in the academe, in the arts and culture it churns out, and seeing what ails our intellectual production. this is about watching plays and going to art exhibits, watching all of TV and not just ABS-CBN, going to the movies mainstream and indie, and seeing how much more — how so much more — can be done to spread that wealth around. this is about knowing the regions and seeing particular pockets of arts and cultures in languages as diverse as there are islands. this is about not being indebted to anyone — anyone at all — and being responsible for the kind of cultural products you yourself produce.

boy blind tastes a corned beef brand on nationwide television

because as Arts Ambassador, Boy’s own productions come into play. as Arts Ambassador it is respect and credibility that are difficult to earn, locally and internationally, given the diversity and division, given the lack of a clear Pinoy identity and agenda.

but here you have an Arts Ambassador indebted to the greatest cultural empire this side of the earth, which disallows unions and illegally dismisses its workers. he sells — is endorser of —  a mobile service provider, detergent, corned beef, pineapple juice, a beauty center, writer for a particular newspaper and magazine, and is in TV shows only on ABS-CBN 2. this in itself is replete with bias, and a limited view of what else is there about culture, about the arts.

ambassador for the arts sells beauty and surgical center. that's him with a trench coat in the middle of the photo.

and i won’t even go into becoming laughingstock of the bigger international world of arts and culture. not just because of the fact that our arts and culture ambassador is a, uh, product endorser but more than that because when and if they Google him what they’ll see is this:

via http://leviuqse.blogspot.com

and a photo for what is a hypothetical show that regardless, appears on Google:

via http://chuvaness.livejournal.com/557621

ladies and gentlemen, our Arts Ambassador, the guy who will face guests, art practitioners, cultural ambassadors all over the world at the up and coming Philippine International Arts Festival!

you can tell i’m excited.

komentaryo

Killing Credibility on TV

For the longest time we have complained about media credibility, or the lack of it, with TV taking most of the blame – high profile, profitable, and in-our-faces as it is. A decade ago, it was about Mel Tiangco and Jay Sonza selling laundry soap while being ABS-CBN 2 news and current affairs show hosts; now, it isn’t as simple as just endorsing a product. Don’t get me wrong, doing an advertisement still puts the credibility of any news personality into question; but since news personalities shifted to careers in politics, and since so many of them have shown their partisan colors in various ways, and then have had the gall to return to television and speak as if we didn’t hear them, i.e., Dong Puno (lives!), even more has been going on than just having Mareng Winnie Monsod and her ilk sell laundry detergent.

There has been, for example, the exodus of news and current affairs personalities between the two giant networks in this country – an act that has become so normal, it’s gone unquestioned. But certain things are put to the fore when someone who spews the news and speaks of nation decides to move employers without a reason as big as that of Mel’s and Jay’s, where a case was brought before the courts. There’s the fact that in this country, the job of a news and current affairs personality isn’t really about doing good for the country as they like to remind us everyday, but about greener pastures and better opportunities for individual gains. We are also made to face the fact that this is all about the money, and that at this point, our news and current affairs people are no different from artistas whose services may be acquired by the highest bidder. All these overlook the fact of loyalty, and really, truly standing for the organization one works and speaks for. When a news personality can switch from calling herself a ka-puso to a ka-pamilya with the blink of an eye, then that news personality also loses all credibility, no ifs and buts about it. And let’s not even go in the direction of the argument that goes: “why are you picking on us? we’re no different from doctors or lawyers who switch hospitals or law firms!” Because that is just untrue. Media, particularly news and current affairs personalities who are in our faces everyday, are different. They mouth credibility and authority on issues. They carry with their titles a huge responsibility to a public that listens to them as if they speak the truth of the times.

Of course given the way things are, and because no one complains, things were meant to get worse. Welcome, lifestyle TV in local broadcasting!

Now, lifestyle isn’t bad per se. When ABS-CBN 2 came out with F, it was funky, fun and Pinay, and wasn’t wont to sell every fad, spa, or clothes store (as it does now). With it came pretty girls Daphne, Cher, and Angel, among whom only the latter was familiar as a model and actress; and all of whom found a niche in the fashion, style, nightlife segment of ABS-CBN’s news and current affairs division. And then they started having Cher do the Channel 23 news, and it was a sign of things to come. Having seen her partying, pigging out, dressing up, and talking about the clothes and make-up she likes on F – it was just difficult to believe her as a news anchor. I mean, there she was, looking credible, supposedly dishing out the news with objectivity, as scenes of her talking about her favorite color lipstick and how much it is, or the image of her in a tube top eating out and partying, kept replaying in my head. It was a wrong move all around, both for the news program and F (nomatter that she got that gig in the States). But as wrong moves go, this was the tip of the iceberg.

Recently, news and current affairs personalities have gone on to be “lifestyled” – and one only needs to think Korina Sanchez with Kris Aquino on Morning Girls to realize that it’s the worst move ever. Of course, I doubt it will ever be thought of by ABS-CBN 2 as such, but it must be seen for what it is beyond being a money-making venture: it destroyed Korina Sanchez’s credibility as a news and current affairs personality. She didn’t stand to gain anything by talking about her lipstick color, her hair, her clothes, and even her lovelife on nationwide television. If ABS-CBN thought Korina’s credibility would lend credence to a morning lifestyle cum talkshow, then it thought wrong, because it was Kris’ strong showbiz personality that actually killed Korina’s and the show’s credibility. In the end it was just some other talkshow that was wont to be irrelevant instead of relevant, credulous instead of credible, selling everything from the newest loveteams to the hottest spa or cosmetic procedures. If anyone stood to gain anything from Morning Girls, it was Mar Roxas – singing to Korina, and holding her hand too often in our mornings – and he did get that senate seat.

Let’s give Korina this though: she always showed a hint of discomfort, even shame, when conversations were steered towards make-up, clothes, and her personal life. That’s so much more than can be said of news and current affairs personalities who have actually decided that there is virtue in sharing their lives and styles beyond the news and their current affairs shows. Long ago, lines were clearly drawn between our artistas who stand to gain from putting up their lives for criticism, and news and current affairs personalities whose personal lives were irrelevant to their public persona. Now, none of that is clear anymore, as what we have are TV personalities, all of whom unthinkingly share too much of their personal lives with the public, making all of them mere feed for criticism, showbiz chismis, and sponsors. How else does one explain having news people being linked to boldstars and headlining showbiz talkshows? Why else do we have our current affairs hosts talking about botox injections, designer outfits, and Vicky Belo? And then our news people wonder why they’ve ceased to be credible, and are being disrespected.

Lessons may be learned from the likes of ABS-CBN 2 Correspondents Jim Libiran and Abner Mercado and I-witness reporters Jay Taruc and Maki Pulido whose lives we know nothing of but whose reports we look forward to; even Patrick Paez, “lifestyled” by marriage to F girl Daphne, has kept his private life to himself. Mike Enriquez and Mel Tiangco, do it just as well, hi-profile as they are (though the latter has fallen prey to showbiz magazine Yes! which featured her not-so-humble abode); and even young-ish Vicky Morales and Rhea Santos have kept their private lives, well, private – no televised lavish weddings in sight.

The truth is, news and current affairs personalities don’t stand to gain anything by showing us their mansions and pets, by talking to us about their hair and make-up rituals and favorite designer clothes and jewelry, botox and cosmetic procedures, by appearing (being photographed) in high-profile, ultra-expensive parties rubbing elbows with the elite of this country. In fact, we don’t need to know how our news people stay goodlooking, it’s enough that they don’t look terrible or obese (calling on Jessica Soho!). We don’t need to know how much they earn because we can just imagine. We don’t need information on their private lives because if anything, this ruins everything for us, particularly when we realize how rich they’ve become and what exactly they spend their money on while they spew concern, and purportedly speak, for the less fortunate in this country every chance they get.

Bottom line is, we only really want to have people who will ask the right questions and deliver the right news about the issues that are important to us as a nation. But then even that has become tricky. And the culprit is but one word: current.

Since “news and public affairs” became “news and current affairs” post-EDSA, what needs to be talked about has become obscured by what will bring in the ratings and therefore the cash, because it is the issue of the day. And so Dong Puno Live will as quickly talk about FHM and have boldstar Asia Agcaoili as guest, as Mareng Winnie and Pareng Oca Orbos will interview the boldie group D’Bodies over on Debate about their publicity stunt of dancing practically naked on the streets of Manila. And so time and again, we are forced to watch news and current affairs personalities asking inane questions of equally inane guests on irrelevant but “current” topics that range from cosmetic surgeries to the newest blind item, the latest fad diet to the “in” hang-out places, the most famous loveteams to Korean telenovela stars; they will even talk to Eddie Gil and feature him every chance they get. This, as the issues of debt and taxes, globalization and dead industries haunt us everyday. At this point, our news and current affairs shows practically all seem like Studio 23’s Wazzup Wazzup! And that just might be offensive to the latter.

Of course sometimes decisions are actually made about what is important and relevant – say the war in Mindanao, the economy, globalization, even Hacienda Luisita. But these discussions only go as far as asking who? what? when? where? instead of the more important why? what can we do? and what needs to be done? The most shallow of questions are asked, and the most obvious and safe conclusions are arrived at, and in ungrammatical English and Tagalog at that.

Now, that’s discussion for another essay altogether.