Category Archive for: kawomenan

because on the one hand: it will tell its followers abortion is a sin, those women who do it, they are sinners, they are irresponsible. all you, who use contraception, you are committing abortion. you are sinners. you are immoral.

on the other: they will refuse any form of education that has the word sex in it. yes, even when in the same sentence as sex, is the word responsibility. oh no! this Pinoy Church would rather think that every Filipino is a Catholic (#1) and is therefore a follower of all the Church’s rules (#2). that because of these two things, they will not sin, and they will not need to be educated on sex. because they already know the rules of abstinence and the rule of sex only after and within marriage.

this is ideal, yes, but it is unrealistic. and this is at the core of my issues with the Catholic Church, Pinoy-style. it refuses to see anything other than what it wants to see: a bunch of sinners, all of us who don’t follow their rules, who question their insistence on abstinence, who go against what they believe about sex and libog.

common sense tells us this: how do we listen to priests who, as a matter of marrying God, don’t even (shouldn’t!) think about having sex, or libog, or anything related to it. that is of course when they aren’t to throwing a sermon or two — along with some threats! — at their brethren.

and they threaten us all with what? there’s hell, for one thing. and for another, the threat of a civil disobedience campaign, and some good ol’ (but denied on the late night news) excommunication for P-Noy. and every other person who says yes (finally!) to birth control, to couples exercising their right to plan their families, to women deciding on their bodies, because we are the only ones who have the right to it.

any woman who has a sense of the real conditions of women in this country would also know not to fear excommunication, not to fear hell. because in fact, we are already in a worst version of hell here, in this space where we aren’t protected in any way, where that finger of blame is easily and quickly pointed in our direction, where half the time we feel like witches being burned at the stake.

the saddest thing? because we have been told so often that our voices are the bane of the Pinoy Church’s existence, we have started to believe it too, and become uncertain about crucial laws that have yet to be passed, but which are ultimately the things we need. and deserve.

the Reproductive Health Bill is our right as women. as women who admit to having and/or wanting sex (within and outside of marriage), as women who want to keep safe and healthy and productive despite the label of sinner that the Pinoy Church has stamped on our foreheads.

we believe all these and act on it, because truth to tell, we are also women who are about the things that this Pinoy Church teaches us: love and marriage and happy endings. yes, we dream of these things. but we can only be as liberated as our bodies are free. we can only be liberated when we cease to fear our bodies, when we stop thinking that all these things we feel and want to do are scary sinful things.

the travesty that is this Pinoy Church is that as it threatens us with hell, it creates this nation where women are without an RH Bill to protect them, where women die at childbirth and from sexually transmitted diseases, where women’s bodies are unprotected, as are their emotions.

if this isn’t hell, i don’t know what is.

because i vote for:

cheaper safer healthier bras please.

and cheaper, less painful breast exams (please naman, no more scary and expensive old school mammograms)!

here’s my friend Anina, with what is fit for the Breast Cancer Awareness Month that is October.

the Charice challenge is on!

This isn’t so much about Charice Pempengco herself, as it is about an audience in this country that’s overly critical of her by default, that obviously doesn’t care much for her. And it has to be said that it’s class, social and otherwise, that allows for this double standard when it comes to national pride, which disallows Charice from being properly celebrated as a high point in Philippine popular culture history.

Even when she’s had the song “Pyramid” on the Billboard charts for a while now. Behind her she’s got David Foster, American icon, music producer and star, who has put her onstage with international superstars. She has Oprah Winfrey as manager and modern fairy godmother. She’s got Hollywood contracts for singing and acting, has done duets with Celine Dion and Andreas Bocelli, and will be in the second season of Glee.

You’d have to be in denial to think all these to be unimportant; you’d be wrong to think that just because there’s little of Charice on TV and in the papers, she isn’t as big a star as Oprah imagines. Because whether we like it or not, Charice’s international stardom doesn’t seem like a one-time deal. In fact, it looks like she’s in it for the long haul. The world has got Charice Mania to prove it. It’s also a response to you, critical Pinoy non-fan.

via GMANews online, the rest of it is here!

Cherie Gil, world class

<…> as with many women, Callas also just wanted love. And this apparently, was her failing. Seeing her teach this master class though, is a testament as well to her spirit. She was stereotype, yes, she was diva, as expected. But too, she’s a woman who knows not to rest on her laurels, and instead actually wants to share it. That soft spot is what’s startlingly overwhelming about her persona.

Cherie portrays Marie

One realizes two things in watching Master Class. First, that the struggles of woman, image and otherwise, public figure or private, are the same in many ways, and that as you empathize with Callas’ story, you realize how sisterhood lives, beyond death, across races, despite differences. Second, that you do not know a world class Filipino performance until you watch Cherie Gil do this play.

read all of it here!

Granted, I had paid for really good tickets, treating my mom to what I thought she would find enjoyable, as a matter of friendship (with Tita Mitch), as a matter of wit and humor, the kind that we both know is few and far between as far as contemporary Pinoy comedy is concerned. So on that tiny stage of Music Museum, on their Manila run (they’ve been touring the country, apparently), the Juicy Cat Dolls strutted their stuff. And there was a lot of good that was expected, some bad that was unexpected, plenty of laughter in between, all in all good enough. This ain’t a rave, but it’s still hopeful.

After all Mitch Valdes, Nanette Inventor and Pilita Corrales go onstage ready to make us laugh. They begin with an original song about being a Juicy Cat Doll, competing with the youngerand sexier women of this world, and putting their foot down: we are more intelligent, and that has to count for something. And boy, do they show us how!

the rest is here, via GMA News online.