komentaryo

because i vote for:

cheaper safer healthier bras please.

and cheaper, less painful breast exams (please naman, no more scary and expensive old school mammograms)!

here’s my friend Anina, with what is fit for the Breast Cancer Awareness Month that is October.

kultura

would you marry Robin Padilla?

a friend and twitter/facebook contact was asked this today. that he’s a boy apparently didn’t matter. right now of course, what we’re told is this: that what matters is love. Robin and Mariel have fallen in love and have gotten married, and as Tina Monzon-Palma attests, you can see it in their eyes.

and yes, we grant them love. that’s easy enough. do we grant them credibility? that is the question. and this is what the above question’s about.

so would i? marry Robin Padilla, i mean? well, i’d begin my answer with:

(1) that i understand his appeal, this bad boy action star dirty rugged image, the one that just works with his history as a bad boy, and the way his icon has been created/fashioned/rehabilitated/ revived so it may keep at being the quintessential Pinoy macho.

(2) which is connected to this: in the midst of metrosexuality as capital, his value as Pinoy macho has shot through the roof because there really is no one else like him. add to this the fact of a divorce from longterm wife Liezel, and tadah! binata na ulit si Robin. oh, the appeal of that! (yes, i’ve swooned elsewhere.)

but is he marrying material? interesting question. in truth it never seemed like Robin was married. ever. because when we imagine marriage, we imagine it in the sense that the husband doesn’t flirt on nationwide television with the women he’s paired with in movies and on tv. in the sense that he is loyal and a one-woman-man. in the sense that we don’t hear news of him getting it on with other girls while he’s married.

add to all this the layer of celebrity, the kind that has allowed them, the couple and their managers, to have a plan. this might be contrary to their press releases, but really, you can’t tell me that your wedding in India was a surprise even to you both, when all of it (including what I was wearing, nandon! Mariel squealed) is on the next issue of Starstudio Magazine. you cannot say that this is about a love that is private and only yours, when you were prepared for a photoshoot with obviously choreographed and staged poses at the Taj Mahal. i do not doubt that there’s love there, but also there’s celebrity. and there’s capital. there are obviously their careers, now bound together into one career that’s about the two of them.

the lowest point in all this of course, was the media’s bombardment of these images. i don’t care that the showbiz talkshows feature it again and again, or that it’s in the chikaminute segment on Saksi and showbiz news on TV Patrol. but to actually deem it as breaking news? in the midst of everything else that’s of national interest, goodness gracious, why o why?

realize that this isn’t about the public wanting to know about Robin and Mariel. it’s about news and public affairs departments deciding that this is important enough to give to the public right away.

anyone who knows me would know that i am all for love at first sight, for swift courtships and secret marriages. i am all for falling quickly and easily, because that does happen, and sometimes it does work. but to bombard us with this particular love, given the trappings it comes in? and to deem it as important and valuable as the aftermath of the hostage crisis, and P-Noy’s trip to the States.

ah, but undoubtedly the Robin and Mariel story meant ratings. the kind that P-Noy might not be getting? and in which case, good job media practitioner! good job on losing your credibility.

next time i want more relevant news, i’ll watch my showbiz talkshow.

kultura

the Charice challenge is on!

This isn’t so much about Charice Pempengco herself, as it is about an audience in this country that’s overly critical of her by default, that obviously doesn’t care much for her. And it has to be said that it’s class, social and otherwise, that allows for this double standard when it comes to national pride, which disallows Charice from being properly celebrated as a high point in Philippine popular culture history.

Even when she’s had the song “Pyramid” on the Billboard charts for a while now. Behind her she’s got David Foster, American icon, music producer and star, who has put her onstage with international superstars. She has Oprah Winfrey as manager and modern fairy godmother. She’s got Hollywood contracts for singing and acting, has done duets with Celine Dion and Andreas Bocelli, and will be in the second season of Glee.

You’d have to be in denial to think all these to be unimportant; you’d be wrong to think that just because there’s little of Charice on TV and in the papers, she isn’t as big a star as Oprah imagines. Because whether we like it or not, Charice’s international stardom doesn’t seem like a one-time deal. In fact, it looks like she’s in it for the long haul. The world has got Charice Mania to prove it. It’s also a response to you, critical Pinoy non-fan.

via GMANews online, the rest of it is here!

komentaryo

Dep Ed needs to do its homework

because really, as far as teaching is concerned, Dep Ed‘s No Homework Policy is just unfair. to keep us from giving kids homework on a Friday, means practically starting from scratch on a Monday, difficult as it already is to make students snap out of the two-day vacay. homework is suppose to keep kids practicing what they learned throughout the week, even when it’s just a matter of doing a couple of exercises in Math and English, even when it’s only a matter of asking questions about the environment for Science. the point of homework is to have students think about your subject even when they don’t see you for two days.

now as far as parents are concerned, i don’t know that they’d like to have idle kids in front of the TV, or wanting to go to the mall, with nothing better to do over the weekend. it would be fantastic if every Filipino household was equipped with libraries, and reading was second nature. but we all know reading and books are leisure in this country, especially for public school students and parents, even teachers. i imagine that if there’s anyone who can be happy about the No Homework Policy and the bonding time it creates, it’s Henry Sy.

the Dep Ed memo says that this was borne of parents’ complaints that homework was robbing them of quality time with their kids. the response to these parents should be: homework and education is quality time with your children. and how many parents actually complained about homework being too much, versus being difficult?

because the issue of homework is in fact tied neatly together with the problems of public education in this country, with the low pay of teachers that keep them from being more involved in students’ learning, given the civil service code that allows tenured and regularized gov’t employees and teachers to stay on in positions regardless of bad teaching habits, or not teaching at all. this means that many teachers have the freedom to make life difficult for students, by giving them homework they can’t answer, by piling requirements on as if the students can understand, or afford, it.

now this the parents would have difficulty with, and can complain about. but homework per se?

homework, regardless of what day it’s given, is NOT a bad thing. in the hands of good teachers, homework that’s given on a Friday sets the tone of the Monday discussion, and the rest of the following week. putting together a lesson plan requires that a teacher also thinks about what post-lesson exercises to give, and these necessarily happen at home.

now if the issue is that teachers don’t give relevant homework or tend to pile it on as a matter of powertripping, then a No Homework Policy won’t solve that. in fact, this only means that they will give more homework throughout the week, which means students will suffer the backlash of a Dep Ed decision that’s supposedly for them to begin with.

and really, this doesn’t help the morale of teachers who still care about teaching and their students’ learning, despite the lack of security of tenure, the little pay, and how they suffer in the hands of those older than they are.

if there’s anything that the No Homework Policy reveals, it’s that Dep Ed needs to do its homework.

kultura

Cherie Gil, world class

<…> as with many women, Callas also just wanted love. And this apparently, was her failing. Seeing her teach this master class though, is a testament as well to her spirit. She was stereotype, yes, she was diva, as expected. But too, she’s a woman who knows not to rest on her laurels, and instead actually wants to share it. That soft spot is what’s startlingly overwhelming about her persona.

Cherie portrays Marie

One realizes two things in watching Master Class. First, that the struggles of woman, image and otherwise, public figure or private, are the same in many ways, and that as you empathize with Callas’ story, you realize how sisterhood lives, beyond death, across races, despite differences. Second, that you do not know a world class Filipino performance until you watch Cherie Gil do this play.

read all of it here!