Love, deceit, man, woman

Juego de Peligro is an adaptation of the 18th century novel Les Liaisons dangereuses by Pierre Choderlos de Laclos, the more famous version of which is the 1988 film Dangerous Liaisons. The original text is transposed to late 19th century Manila and reveals it as a time of decadence, one premised on a class structure bound to conservatism and gender roles, love and desire.

It is a world of appearances, where the elite speak of reputation and expectation even as they put these into question, knowingly and otherwise, behind closed doors. Where it is in the enclosed spaces – the home, the room – that the negotiations between man and woman take place, the outside space is navigated by the indio whose predisposition to curiosity and tsismis is used by the elite as tool for deception.

That this time was imagined to cradle this story of love, desire and deception, with the decadence of beautifully made clothes and properly coiffed hair, and a mass uprising that’s imminent, is this adaptation’s gift. (more…)

sometimes one becomes unclear about whether or not the presidential spokespersons are actually on the President’s side, painting as they do some of the more unstable images of PNoy.

with regard the question of the President seeking and listening to advice of a suspended official like ex-PNP Chief Alan Purisima, for something as critical as the Mamasapano operation at a time of peace negotiations with the MILF, Spokesperson Edwin Lacierda is quoted to have said:

“No law prohibits the President from exercising his discretion to get the views of a suspended official on a particular matter, if this would raise the confidence level of the President’s executive decision-making,” Lacierda told reporters. 

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The failure of capture

At the heart of Time Stands Still (written by Donald Margulies) is the crisis of capture, the kind that’s familiar to anyone who engages with more difficult, more violent, more painful current events in order to present these as honestly as possible, without intervening in its story, and in order to do justice to its telling.

Photo-journalist Sarah (Ana Abad Santos) and journalist James (Nonie Buencamino) have gained acclaim and credibility for doing work on conflict-torn territories in the Middle East. Working as individuals together, they find themselves victims of the stories that they follow. James had gone home ahead of Sarah, traumatized by having witnessed a bomb explosion before his eyes. He would soon enough find himself picking Sarah up from a hospital in Germany after she falls victim to a bombing herself. She is in a coma for weeks, and wakes up to a broken leg and scarred face.

The couple comes home to their staid apartment in America, the war they came from now the backdrop of their story, as it is the context of the relationship that is in the throes of individual trauma. It is a relationship that can now be viewed without the urgency of elsewhere. Or so they think.

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today, the nation watched and cried and grieved as the 42 slain police commandos of the Special Action Force of the Philippine National Police arrived in Manila in coffins.

the members of the cabinet were present, as were Senators Bongbong Marcos and Nancy Binay, former First Lady Imelda Marcos, former President Fidel Ramos, and Vice President Jejomar Binay.

President Noynoy Aquino was nowhere in sight. there was no member of the Aquino family representing him. there is no valid reason for this absence.

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yes, a statement, not a question. because there’s just too much not being said, or being spun? about the Mamasapano clash that has killed 50 policemen (as of last count) 44 police commandos of the Philippine National Police’s Special Action Force and an unreported number of MILF and / or BIFF fighters. and yet there is also an overload of information — such is the nature of social and online media in this country — and some of the more basic questions and answers get lost in the noise.

and so this is me, trying to make sense of it all. (more…)