The mess that is the National Historical Commission of the Philippines (NHCP) is something that’s become obvious not so much because of its involvement in Paoay Church renovations, or questionable engagements with heritage site reconstructions, but more because there seems to be no effort at all on its part to be more transparent about its projects, ones that the National Commission for Culture and the Arts has no choice but give it some money for. And this is the thing: we’re talking millions in taxpayer’s money. It’s a surprise that the President himself has not insisted that his appointee be more forthright about how her office is spending the cash, or whether or not it’s needed at all.

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It is always with a heavy heart — yes medyo OA — that I read / listen to discourse about the Marcos’s wealth of art and clothes and shoes, the ones that history tells us we have paid for, but which is handled with nary care or creativity by the powers-that-be as we get these back from the Marcoses.  (more…)

Storytelling and Dani Girl

I tend to veer away from stories that are out to clutch your heart, and then measure success by how much you bawl while watching.

Elsewhere in the world texts like these are criticized for displaying sickness and passing it off as artistic work, or using a particular claim to an ailment and then celebrating the work as “new” or innovative.

And so I could but be skeptical about Dani Girl, as I came in to see it on its last weekend, knowing full well what it was going to be about.

But Dani Girl surprised. Not that it didn’t tug at heartstrings and had me crying like a mother who knows of sick daughters. And yes it was about this staging and these actors, but also and ultimately it was about the material itself. (more…)

No Junk In This Trunk*

Because there is plenty here that works: from the funky music to the fantastic lyrics, dramatic situations and imagery so vivid, emotions so raw it can only be yours.

I knew it when I heard “Kapit Mahal” via Billy B.’s now-defunct UR radio show, but I know it even more now: that was no fluke. Top Junk released its indie debut last year, but I count it as one of my early 2011 finds, literally: I bought it at Route 196 as I bobbed my head to The Purplechickens’ Here’s Plan B gig of reminiscence. Yes, it was like being fresh out of college that night, but that’s stuff for another story. (more…)

thank you!

This blog was a finalist for the Lasallian Scholarum Awards this year, and I couldn’t be happier. We didn’t win the award but the greatness of being finalist is enough when one considers that the standard practice in this country is that you practically have to nominate your blog for awards, and then campaign to win anything. I sent my best girls Keisha Uy and Alessi Vilches to the awarding as I had my September 1 tied to a friend’s journey, but I’m still over the moon about this. Thank you thank you Lasallian Scholarum Awards! Thank you for acknowledging my work as an independent writer and critic, which is bound to the freedoms that radikalchick.com affords me. Here’s hoping this encourages more people to write about nation without fear. Cheers!scholarum