Katrina Stuart Santiago

this year was the first time i even cared enough to go to Gawad Buhay, and that is really because of a good three things: my love for Tuxqs Rutaquio, my love of Layeta Bucoy, and my new-found discovery of and respect for the kind of hard work that Tanghalang Pilipino’s Actors Company stands for.

which is of course to wear my heart on my sleeve (obvious ba), and really to point at some of my good ol’ biases, the kind that i’ve always had and have never denied having. anyone who was reading my theater reviews from the beginning (i.e., 2009) would know that i had much respect for the work of Rutaquio and Bucoy (as director-playwright tandem), long before i came to know them as people (which was mostly this year). i had also done reviews of the work of AC’s Tadioan long before he even became the monolith of an actor that he has become.

i’d like to think these biases do not diminish my own thoughts about Gawad Buhay’s limitations, which i feel should / can be fixed at this point — democratization is the word i like to use — as a matter of actually and truly being about all of the theater community, and not just the few who are willing to become part of Philstage. yes, Gawad Buhay is not / cannot be a measure of the year that was in Philippine theater. because it is not looking at all of Philippine theater. (more…)

i had watched the hashtag #YesAllWomen take a life of its own on Twitter, and was fascinated that while it didn’t trend in the Philippines, the tweets from elsewhere in the world (mostly the US it seems) resonated with this Pinay so removed from that context.

i’m the last to imagine universality to be a valid enterprise, imagining as i do that we are always more complex than just being / standing for / standing against one thing. yet it is feminism still — no matter how it is not named such, no matter that it denies this label — that i realize i fall back on, if not go back to. (more…)

i’ve been out of this blog, mostly because i was writing like crazy for most of March and April, and i mean working on four columns a week (!!!) for The Manila Times. and yes it was as crazy it sounds.

i’m glad it’s over. (more…)

“At a certain time of day, between the high heat of noon and the cool afternoon, the streets of Casay have a strange quietness — of a leaf arrested in its fall, or of a vacuum from which air and life have suddenly been drained — a quietness which seems to bide its time. Very infrequently, a car, a truck, or a cart may disturb the stillness, raising brown dust in its trail and sowing screeching echoes into the silence. But a minute after, the dust settles, the noise fades away, and it is quiet again. Even when the wind blows and rustles leaves, sways branches, scatters blossoms, it is still quiet. (more…)

The first two installments on Beauty Deception spoke of how far we go, how complicit celebrity culture is with, and how media enterprises fall into the trap of, the beauty industry. And when we speak of the latter we do mean the bigger ideology of perfection, one that’s achieved via treatments and plastic surgery and every nip and tuck imaginable; one that’s achieved by selling images of real women perfected via photoshop.

Image is all, and yes our female celebrities are about the creation of this image. But it need not be a shameless display of skin whitening products and new cheekbones, of perfected skin and long sleek hair. It need not be tied to one kind of woman, with one particular look that is intertwined with success and freedom, happiness and woman power.

That no one seems to care, that there is no real intervention in media, is a dangerous thing. Imagine the generations of young girls who will think white(ned) armpits and vaginas, long black hair, a thin frame, are all important. Imagine the kinds of Pinays we raise when we intertwine gender equality with a shampoo advertisement selling long shiny black hair.

A public that cares

Elsewhere in the world a vigilant public is critical of plastic surgery in celebrities. The media question drastic weight loss (especially in young actresses). Photoshopped images are the enemy. This outlook is borne of a belief that these images are imbued with a particular set of standards for beauty, one that is intrinsic to any celebrity culture. These images are dangerous because these make people believe in an ideal which—given photoshop and cosmetic surgery—is also impossibly perfect and unattainable.

No one escapes these images, but publics elsewhere expect celebrities to care about how their (fake) images affect their audiences. (more…)

Katrina Stuart Santiago

Katrina Stuart Santiago

notes on Gawad Buhay, democratization, and the anxiety of smallness

for Joelle: how are these days?

Lola Nita, 1923-2014.